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  • Writing White Papers

    June 10th, 2008

    The high caliber of guest blogging at the Writer’s Resource Center continues with Yuwanda Black‘s post on “White Papers: The Niche Where 20 Pages Can Net You $20,000–Really!” Yumanda’s post defines white papers and gives some great insights on why writing white papers can be lucrative. It comes down to: the business field (which is willing to pay $$), industry recognition (that’s the purpose of white papers), and less competition (from other freelancers).

    According to Yuwanda: “White papers are the one writing niche where I’d have to say the worth of the writer is valued in terms of the end result, not the actual output. And, that’s one reason to go after this niche. Business rarely quibble about price, they just want someone who can deliver the goods – goods they don’t mind paying for.” Click here to read the entire post.

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  • The Authentic Voice: Using slang and accent in your writing

    June 9th, 2008

    Happy Monday morning and welcome to another blurb on the guest bloggers for the Writer’s Resource. Today’s guest blogger–Todd Eastman–provides some great advice for using slang and accent in fiction. Here’s a taste:

    “Many writers find dialogue to be one of the most difficult aspects of writing fiction. Trying to include regional accents and speech patterns and doing it incorrectly can ruin your story. On the other hand, doing it correctly can make the story seem even more authentic. There are several things you need to be careful of when using this technique in your dialogue.”

    Visit Todd’s post and learn more about using slang and accent in your writing.

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  • Can you spell Juneau?

    June 6th, 2008

    Another entertaining and informative post from a guest blogger at the Writer’s Resource Center: “A small sheik escaped” and other editing execises to energize your writing by L.A. Ramsey.  L.A. shares writing bloopers (AKA typographical errors) as well as the hilarious story of how she lost a sixth-grade spelling contest.  Her post is another fine example of blending just enough personal detail with professional knowledge to make for a fun read.  Here’s a teaser:  “Of all the things in human existence to be ignited by–a skylark, Picasso’s man strumming a blue guitar, a flapper wobbling to the tune of the Charleston, a kid’s gap-toothed grin–mine was a small sheik.”  Now click here and read the rest of her post.

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  • Balancing the Personal with the Professional in Writing

    June 5th, 2008

    Today’s guest blogger at the Writer’s Resource Center, Tom Johnson, offers a provocative post on balancing personal with professional content in nonfiction writing. On one extreme, there is “oversharing,” such as that exemplified by bloggers such as Emily Gould. On the other extreme, there are those dry texts that appear to have been dictated by a robot. Tom argues for something in-between, something that has enough substance to give the article or essay its meat and enough personal sharing to add a bit of spice. His pithy advice to writers: “[…] make sure the substance is there first. With that in place, most readers will welcome the personal style.” But click here to read his post in its entirety. His own writing is a great example of how to balance the personal with the professional.

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  • Secrets to Successful Essay Writing

    June 4th, 2008

    Check out guest blogger Jeanne Dininni’s post on essay writing over at the Writer’s Resource Center. Her advice should be followed by writers and teachers of writing. Her first two secrets are: “Devise a Plan of Attack,” and “Dig Up Some Background.” Click here to read more.

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  • Finish that novel!

    June 3rd, 2008

    Or short story or whatever creative project you seem to always be working on but never completing. Take David Jace’s advice and be the god you know you are. In his guest entry at the Writer’s Resource Center, Jace admonishes us that “Writers Must Be Gods.” As gods, we can decide whether our characters live or die, marry or divorce. We can decide when enough is enough, and that the story must come to an end. Our characters, our plots depend on us being gods, and, actually, so do our readers. Check out Jace’s entry for an empowering (pun intended) missive.

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  • Guest bloggers at the Writer’s Resource Center

    June 2nd, 2008

    John Hewitt of the Writer’s Resource Center is on hiatus for a few weeks and has engaged a great group of bloggers to fill in for him. One of that great group is . . . yours truly :-) I am thrilled to be listed among some phenomenal bloggers. For a full list, click here. John has also challenged us to see who will generate the most comments, so please visit his blog every day and participate in our discussions about writing! (Of course, you should already be visiting his blog every day, but think of our challenge as giving you extra incentive.)

    The month of guest bloggers is off to a great start with writer and editor Lillie Ammann’s post Get Rid of Ugly Wordiness: How to Cut Your Novel Down to Size. She provides five critical editing steps that apply to short stories as well as to novels.

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  • For your listening pleasure

    May 31st, 2008

    Here are some of my favorite podcasts–they are all free and available through iTunes.

    The Classic Tales: B.J. Harrison has a wonderful reading voice, and so far I’ve enjoyed listening to his renditions of Conrad’s The Heart of Darkness and H.P. Lovecraft’s The Lurking Fear. Subscribe through iTunes to get timely (and free) installments, but also check out his website (www.theclassictales.com) for other features such as Poetry Corner and Short Story Spotlight.

    New Yorker fiction: Subscribe to the feed service through iTunes (or click here) and enjoy a monthly reading and conversation with New Yorker fiction editor Deborah Treisman. Authors reading authors is a unique feature of this podcast. One of my favorites is Paul Theroux reading Luis Borges’s short story “The Gospel According to Mark”: both Theroux’s reading and his commentary made listening to the podcast a real treat.

    PRI’s Selected Shorts Podcast: You can hear these short stories on your local NPR affiliate or make sure you never miss a podcast by subscribing through iTunes. (Go to NPR’s directory to find sundry other podcasts). Similar to the New Yorker fiction podcast, most of these short stories are read by other well-known authors. All are read before a live audience which gives the readings a wonderful sense of immediacy.

    LibriVox: LibriVox is truly a labor of love. It is supported by volunteers who read novels, short stories, and poems that are in the public domain. Check out their website for volunteer opportunities, and to view their rather lengthy catalog of available downloads. Again, you can subscribe to their feed through iTunes. One word of caution, however. With some longer works (such as Austen’s Northanger Abbey), chapters may be read by more than one volunteer, which can make the listening experience a bit uneven. Also, these are volunteers, not professional readers, so the quality of the readings can be disappointing. Still, Librivox is a treasure trove, and the efforts of its volunteers are admirable. The uneven quality of the readings can even be a bit fun. Just imagine listening to a group of your friends as they take turns reading chapters from your favorite novel!

    Now, do you have a favorite podcast? Please share!

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  • Use Podcasts to Generate Sales

    May 29th, 2008

    While this might not work for everyone, apparently a few authors are finding that giving away free podiobooks and/or e-books can generate sales for the print versions of their books. Check on this post on Writer’s Blog about Scott Sigler’s success so far. According to Sigler’s blog: “Scott is the author of INFECTED, a major hardcover thriller from Crown Publishing. He landed his book deal by giving away multiple novels as free, serialized podcasts that generated a large online following and saw over 4 million downloads of the individual episodes.”

    Now, I am an “audiofile.” I love listening to books (especially when I’m running, knitting, sewing, or cleaning house), and when I really like an audiobook (or podiobook), I often will go out and buy the hard copy. When it comes to good writing, I want to see the layout of the book–the scenes, the dialogue–so I can learn how to (hopefully) generate the same effect in my own writing. Besides, printed books will always have a special place in readers’ hearts.

    Also, I think an author is showing a real desire to connect with his readers when he makes “cyber” versions of his book available for free. In return, that online following can lead to a lucrative contract with a traditional publisher.

    What do you think? Have you made your work available through podcasts or e-books?

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  • The strangely insular world of blogging

    May 26th, 2008

    This Sunday, The New York Times published an article by Emily Gould, once-upon-a-time blog editor for Gawker Media. Emily is a woman in her late twenties who has had the great fortune to work in the field of publishing. After reading her article, however, I have had the great temptation to look down upon her as a naïve, narcissistic juvenile. (Disclosure: I am old enough to be her mother.) But for one thing.

    A few days ago, I happened to catch “The Devil Wears Prada” on cable. In both Emily’s article and the movie, we get an opportunity to see how a young mind is manipulated into becoming her own worst enemy. In the movie, Andrea doesn’t even know what the magazine Runway is all about, although she has applied for a job there. She is eventually shocked and disillusioned by the cutthroat machinations of her boss. She does truly seem like a sacrificial virgin in contrast to Emily’s claim of the same when she started her career at Gawker.

    But Emily was not “virginal.” She admits that her preferred mode of self-expression has deep roots, starting in her high school days when she and her friends circulated a notebook in which they shared “candid thoughts” about their teachers. When they got caught, she claimed First Amendment rights. Perhaps more telling is the comic book she created, presenting herself as a superhero (“SuperEmily”) who “battled thinly veiled versions” of the mean girls in her grade. And when it came to Gawker Media, unlike Andrea and Runway, she was an expert: “For a young blogger in New York in 2006, becoming an editor at Gawker was an achievement so lofty that I had never even imagined it could happen to me.”

    Despite their obvious differences, my takeaway message from watching the movie and then reading Emily’s article was that both these women were very impressionable. They may be hard-working women who have survived the wilds of New York City, but they still are not savvy enough to navigate without leaving some wreckage in their path. But here their similarities end.

    Andrea is blindsided in her transformation from a size 6 duckling to a size 4 princess. Becoming “one of them” was not her goal when she went to interview at Runway. In contrast, Emily saw her job at Gawker as “somehow inevitable. Maybe my whole life — all the trivia I’d collected, the knack for funny meanness I’d been honing since middle school — had been leading up to this moment.”

    Unlike my generation, Emily grew up with perpetual access to immediate gratification. And she grew up with feeling that the world, limited only by bandwidth, could be her friend, or at least her audience. Yet, she does capture a universal drive toward blogging: “I think most people who maintain blogs are doing it for some of the same reasons I do: they like the idea that there’s a place where a record of their existence is kept . . ..”

    Her comment reminds of my embrace of the phrase, “I am therefore I write.” Blogging is a way for me to record my existence, although I try to restrict to my posts to a general theme, that of writing. For Emily, the purpose of blogging is to expose every aspect of one’s life. The irony is that so many people who criticize her type of blogging feel compelled to leave comments on her blog. By their very act of commenting, they are legitimating Emily’s blog, whether they like it or not. By the time I grabbed the permalink for Emily’s article, comments about the article numbered in the thousands. Most comments suggested at least one of the following: that Emily should grow up; that Emily should get a real job; that the article was boring (usually expressed as “ZZZZZZZZ”); that The New York Times should not have given Emily so much space to write in. There is a bit of irony here: Is what drives a commentator to leave a badly written and/or insulting post any different from what drives Emily to blog?

    (For a different perspective on her NYT article, check on the comments on Emily Magazine.)

    When I come across a blog or post that I find offensive or boring, I don’t bother to comment. In much the same way that personalized rejection letters can give the writer some solace that at least her story was read, comments provide the blogger some satisfaction of being heard. Comments provide some form of legitimacy, although most often in their quantity.

    So, I would suggest to those who are unhappy with the nature of Emily’s blogs: Just don’t comment on them. Let her comment count dwindle. Let her audience retract to only the closest of her friends. If what she is doing is so awful, then don’t encourage her. Like any other writer, Emily has more to gain from constructive criticism and encouragement than from the banality of “ZZZZZZZ.”


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