The Saturday Evening Post has “revamped” and is looking for new fiction. With the dwindling newspaper and magazine market, this is a bold effort by the Post. Hopefully, readers will be rewarded by good, fresh writing. Click here for the Post’s submission guidelines. My thanks to fellow blogger, Georganna Hancock of A Writer’s Edge, for tweeting this truly news-worthy info. This is great news for someone who has fond memories of reading the Post when she was much much younger than she is today :-)
Tag: writing
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Another website has opened up, to give self-published authors more visibility: IndieReader.com. Read the article here in the Christian Science Monitor. IndieReader.com describes itself as being “For self-published and print-on-demand books and the readers who love them.” Founder Amy Holman Edelman proposes to do for self-published books what Sundance has done for independent films. For an annual fee of $149, IndieReader.com will “promote, market and sell your book” on its website, if they deem your book to have met “certain standards of quality, both in terms of basic spelling and grammatical errors and content. All books must be well written and offer something of value to our customers.” Be sure to always read the fine print when $$ is involved. From the IndieReader.com Terms of Service:
2. Annual Fees and Costs. a. The fee for inclusion on the website is $149.00 per year, regardless of the number of books that each author features on the IR site. The fee for submitting the first book is included in the annual fee, however, there will be a submission fee of $25 for each book after the first. b. This fee is NON-REFUNDABLE.
IndieReader.com is a business and as such should charge fees, and it should reserve its right to reject books that don’t meet its standards. Yes, that makes it sound more like traditional publishing with all its gatekeepers, but IndieReader.com holds the promise of access to good writing, regardless of the author’s name recognition.
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“Depression, truth be told, is both boring and threatening as a subject of conversation.” So writes Daphne Merkin in her essay on depression in this Sunday’s New York Times Magazine. As someone who has struggled with depression and anxiety off and on (and, lately, fortunately, it’s been mostly off), Merkin’s essay resonated with me in a far deeper way than any essay I had read before. Perhaps it’s the cold truth of her insights: “Surely this is the worst part of being at the mercy of your own mind, . . .: the fact that there is no way out of the reality of being you, . . ..”
For most of my life, I found the reality of “being me” often hard to bear. Like Merkin, “I was fascinated by people who had the temerity to bring down the curtain on their own suffering,” people like Virginia Woolf, Anne Sexton, and Sylvia Plath, who also just happened to be writers.
Merkin takes us on a journey from her most recent bout of deep depression, through her attempts at recovery in a clinic, and, finally, to a seemingly spontaneous resolution. Granted, this is her own personal story, and others who suffer from chronic depression might have very different experiences. As with so many other ailments, both physical and psychological, one size does not fit all. But I finished Merkin’s article feeling heartened, at the least because the fog lifts just enough for her to imagine a life without it.

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Now here’s website designed to inspire even the most morally depressed (and unpublished) writer: The Self-Publishing Hall of Fame by John Kremer. John reminds us that many writers (current and past) who now enjoy publication through traditional publishers had at one time or another self-published. This is not to say that their road to success necessarily came straight from self-publication, but, at least, if you choose to self-publish, you will be in great company.

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Here’s one of the side benefits of Twitter: The discovery of writing tools proven to do what they profess to do: get you and keep you writing. (Is it OK to have two colons in one sentence?) Check out Dr Wicked’s Write or Die, a web-based tool for writing. It did take me a moment (actually, several) to realize that there was nothing to download, that instead you launch the tool right from the website. You can set your own parameters to have gentle reminders or more heart-stopping reminders to keep writing whenever you pause for a few or even one second. I’ve tried several modes now. The kamikaze mode is a bit frightening for me (imagine seeing the words you just wrote start to disappear if you pause for too long), but I am amazed at how fast I could type … as if my life were on the line, which it sometimes is since I have to write on deadline at times. You can also follow Dr. Wicked on Twitter … see, Twittering does pay off :-)
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I recently created a profile on Facebook, at first to follow the lives of the younger members of my families. But I’ve since gone Facebook crazy with adding apps, including trying to add my blog posts. Although this old gal has a bit of a learning curve with Facebook, it is insanely easy to set up compared to MySpace and much more fun. But, you may ask, is there any value in Facebook for the aspiring writer? Jump over to Wicked Wordsmith for a great post on “Using Facebook to Your Advantage.” Blogger Angela Wilson interviews Mari Smith on the pros and cons of using Facebook as a marketing tool. It’s a great interview with lots of tips and insights for tyros like me and, maybe, you too!
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I subscribe to a few literary agent blogs: Nathan Bransford-Literary Agent, Bookends, LLC–A Literary Agency, and Lyons Literary LLC. I’m sure there’s plenty more out there, but these suffice for my limited perusing time. The great part of these blogs is that they are interactive: that is, their posts encourage lively discussion, and they sometimes offer free critiques which they then post as part of their blog. They are educational, which is their greatest appeal to me. Although I’m not yet peddling a novel, it’s never too early to learn about agents, that crucial link between you and publication.
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