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Marie at 1 Write Way

  • Just Thinking About …

    July 30th, 2024

    Zinnias

    A new zinnia popped up after the pink one (see the pink one here). I started sharing photos of the bud on Instagram and then got distracted. Next thing I knew, the bud had fully bloomed.

    Yay, another zinnia bloom!

    One of my problems with social media is that I’m not spontaneous enough. I share a couple of photos of the zinnia bud, but then I get busy and even just uploading a photo to IG seems to take too long. So I tell myself that I’ll post later and later becomes a few days later.

    Cats

    For the last few days, I’ve been cat-sitting for our neighbors across the street. Although I “know” their cats (they are indoor-outdoor cats and occasionally visit our driveway), it’s quite an experience dealing with their eccentricities.

    Kitty Meow Meow waiting to be served.
    Frankie being his goofy self.

    Frankie is very easy-going and Kitty Meow Meow can be but she’s finicky about her food. Fun. She’s finally realized that she only gets food when I come over. No 24/7 room service so she’s getting better about eating what I put in front of her (sort of). I know they will be glad when their staff return (which will be late tonight), but I do appreciate having this time to bond with them.

    Writing

    I’m in another lull with my writing. I’ve been busy with other things (like I just had to take a Zoom class on basketweaving), but the year-long workshop I was taking (A Year of Writing Dangerously) has hit a snag.

    Around mid-June, the host, Summer Brennan, informed us that she had a family emergency but hoped she’d be back with us soon. We haven’t heard from her since. Most of us have had such family emergencies and can attest to how all-consuming those emergencies can be.

    Initially I thought I could carry on without Summer. Many writers in the group seemed to want to keep some momentum in the hopes that she will be back.

    Then I thought it didn’t matter whether I wrote or not. Maybe I wasn’t cut out for a year-long commitment (even though the commitment was to write daily not necessarily engage in the group daily).

    I’ve been doing other things (like basketweaving) to try and avoid the issue, but I keep going back to the group’s Substack chat to see if someone knows something. We are worried about Summer, but none of us has any direct connection to her. Emails have been sent to her, but not answered.

    This workshop was to be broken into 6 six-week sessions, with the 5th session to start on September 1. I keep telling myself I’ll decide then whether I’ll stay with the group. There’s some nice people in the group, but right now it’s just an “accountability” group, people checking in and reporting on how they have or haven’t been writing. Even if Summer comes back, I don’t feel like my heart is in it anymore.

    Books

    I have a few book reviews due and more than a few books that want to be read. Instead of writing, I listen to audiobooks (in some cases, even when I already have a print copy) while doing something like walking, weaving, or cleaning.

    Photos

    I have a lot of old family photos to go through. I need to upload some of them to share with my cousins, others to share with my nephews and brother-in-law.


    I have so many things I want to do that I often wind up reclining on my bed and reading and typing on my iPad — as I am doing now.

    So nice of Raji to keep me company.

    Have you ever had a workshop experience that left you unmoored, without a compass? How did you cope?

    What keeps you writing? Is it ever difficult to keep still long enough to write?


    I neglected to mention that I’m also writing letters and postcards encouraging people to vote. The letters are difficult as my handwriting has really gotten bad. I’m hoping the postcards will be easier to manage.

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  • Macro Monday

    July 8th, 2024

    Last year I was delighted to have a a potted zinnia gracing my deck. I shared it here. Since that post, winter came and the zinnia plant died.

    Or so I thought. Eventually a stalk grew along with green leaves. And then … look, Ally!

    July 2

    Zinnia flower bud and green leaves.

    July 3

    Pink-petaled Zinnia with red and yellow center.

    July 4

    July 5

    July 7

    Pink zinnia flower wilted

    Oh, well. It’s been hot so I don’t blame the zinnia for calling it a week.


    Here’s a two-fer even though it’s not a macro photo.

    Orange cat and dark cat lounging on a hardwood floor.

    Y’all take care.

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  • Lens-Artists Challenge #306 – Habitat

    July 2nd, 2024

    For this week’s challenge, Tina encourages us to “explore the habitats of both human and/or animal “residents.” She includes a quote by the Dalai Lama:

    The reality today is that we are all interdependent and have to co-exist on this small planet.”

    Sadly, interdependence, biodiversity, climate change are all “dirty” words here in Florida. At least, officially “climate change” can no longer be referenced in any government document. As if climate change won’t exist if the words aren’t spoken or written.

    Thankfully, near us is a very special habitat that nurtures biodiversity. A place that I frequently write about.

    Some of the following photos are old, of the BCP (Before Cell Phone) Era. They represent various views of the St. Marks National Wildlife Refuge (SMNWR) over the years. As many of you know, SMNWR is a favorite place of ours for bicycling. (It used to be a favorite place for hiking, but our feet, knees, and backs won’t tolerate those long walks any more.)

    SMNWR provides habitat for deer and a safe haven since the Wildlife Management Area next to the refuge allows hunting during certain times of the year. We see a lot of deer in the refuge when it’s hunting season.

    You can’t have a sustainable habitat without allowing some impressive predators to co-exist whether they be snakes, alligators, or bald eagles.

    Another favorite habitat is Mashes Sands Beach. It’s what I call a “poor man’s Riveria” as it’s a small beach on an estuary. It harbors a delicate ecosystem. Such as a tiny hermit crab in a tiny shell.

    Or many hermit crabs burrowing in the wet sand.

    Or an osprey on the hunt.

    Then there’s the habitats we create in order to encourage and nurture biodiversity. My husband and I are members of the Xerces Society for Invertebrate Conservation. A modest membership includes a subscription to Wings, a seasonal collection of essays on invertebrate conservation. In the Spring 2024 issue, Scott Black wrote “Planting Habitat as an Act of Hope.” His brief essay did, indeed, give me hope.

    Scott wrote about his family’s efforts to transform their lawn into a garden that would provide pollen and nectar for insects. He noted that because of these changes, their “yard has become a magnet for wildlife.” He added:

    There is hope, despite what we see in the news. Insects are resilient, and we know that protecting and managing high-quality habitat can quickly produce positive outcomes for insect populations, sometimes within a few years, on a time scale that means we will see the difference.

    In our little corner of the world, as my husband and I work to provide a nurturing habitat for bees, butterflies, hummingbirds, and dragonflies, to name a few, in less than two years we are seeing a difference.

    An Eastern Carpenter Bee entangles itself in the tiny flowers of an Anise Hyssop.

    A Gulf Fritillary feasts on the nectar of a Blue Mystic Spiral.

    Another Gulf Fritillary prefers the flowers of a yellow lantana.

    Last month I had the pleasure of an photo op with an American Lady. The butterfly must have just emerged from its chrysalis as it made no attempt to escape my lens.

    And while we have several poles placed around our house to accommodate the hunting practices of dragonflies, this one decided he preferred a plant hanger.

    Finally, a nurturing habitat is necessary for the domesticated animals in our lives. We are fierce believers in keeping our cats indoors. Over the years, we have had to allow for a few stray cats to live outdoors, although they would always have access to shelter in our garage. This wasn’t because they preferred to be outdoors; it was only ever because our house was already full of cats and we knew (through traumatic experience) that the then-indoor cats would not peacefully coexist with the outdoor cats. Eventually, though, as one cat died, one or two was introduced to the indoors … permanently.

    The last cat we brought in from the outdoors was Raji. He was very young when he turned up in our yard almost four years ago. He was a shy, suspicious cat and it took some coaxing and a lot of patience to get him into our garage where we would feed him.

    Because he was so young, we didn’t want to let him have free reign outside. We were afraid that he would disappear or get hit by one of the many cars that speed through our neighborhood. But we also needed time. We needed him to accept us before we introduced him to the rest of the household.

    So we bought a two-level cat cage and my husband “installed” it on the side deck. We already had a cat-door on the garage door so once the “condo” was installed, Raji could enjoy the outdoors without getting loose.

    Thankfully, Raji’s habitat is now fully indoors with us and Wendy. Below is Raji in his natural habitat.


    Many thanks to Tina for this challenge. I could have kept writing and sharing photos about all kinds of habitats, but, hopefully, the ones in this post will suffice. Habitats are many and varied, some more nurturing than others.

    And many thanks to Egídio for last week’s challenge. I am still amazed by how his challenge changed how I see my photos, and how I now compose them.


    An important announcement: As in previous years, the Lens-Artists team will be on hiatus for the month of July. There will be no challenge on July 6th, and the rest of the month will be led by several amazing Guest Hosts. They include:

    July 13: Leanne of Leanne Cole explores TOURIST ATTRACTIONS

    July 20: Elizabeth of Albatz Travel Adventures leads us with PAIRS

    July 27: PR of Flights of the Soul presents BALCONIES

    The Lens-Artist team will be back on August 3 when Patti once again leads us on her Pilotfish Blog.

    For more information on joining our challenge, click here. Remember, if you’d like to participate in any challenge, always include a link to the original post for the challenge, and include Lens-Artists as a tag so we can find you.

    Cheers, ciao, and hasta la vista.

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  • Macro Monday

    July 1st, 2024

    A Gulf Fritillary chrysalis, from a few days ago. We didn’t get to see this guy emerge but we have had a lot of butterflies, including Gulf Fritillaries, in our garden so far this season.

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  • Lens-Artist Challenge #305 – Two Rectangles

    June 26th, 2024

    This week’s Lens-Artist Challenge is being hosted by Egídio of Through Brazilian Eyes. The challenge is simple but also eye-opening (no pun intended). Egídio asks us to share images that have two rectangles:

    By two rectangles, I mean you have two dominant rectangular areas in your image. For many people, this is one of those compositional tools we use without thinking about it. These rectangles give balance, harmony, and unity to a composition. 

    He offers some wonderful examples and explanations (essentially offering a mini-photography course), and I encourage you to visit his website.

    While I knew I’d probably find rectangles galore in my archive, I decided to snap a few new photos just for this challenge.

    First up, our backyard shed.

    Cute, isn’t it? But consider the white trim that superimposes a square and a few rectangles over the rectangles of the gray boards. Consider too the rectangular steps that my husband made so we could keep our balance going in and out of the shed. The lines provide visual balance as well.

    Next, consider two images of our fence, facing inward.

    Image #1

    Image #2

    The first image is broken into thirds: the sky, the upper part of the fence, and the lower part, all of which are rectangles in the image. The second image omits the sky and while I like it because it provides a bit more of the fence, I prefer the first. When I’m taking photos outdoors, it’s rare when I would purposely omit the sky, even if the sky isn’t the subject of my photo.

    Speaking of sky, the next photo is of the same area of our patio but at night. My subject was supposed to be a crescent moon, which of course, shows up as if it were a full moon. Still, I like the composition.

    In his post, Egídio writes about Rabatment, a technique of putting a square inside a rectangle. I think I could argue that that is happening in the above photo, with the darker right-hand side of the fence and foliage providing a kind of frame.

    Here’s a quirky image of rectangles as a frame for the subject of my photo: a Gulf Fritillary newly emerged from its chrysalis. This is the underside of the railing on our small side deck that leads out onto our patio. I really had to contort my body to get this photo.

    And here’s a classic example of two (or more) rectangles in an image …

    … on our favorite bike trail at St. Marks National Wildlife Refuge.

    Finally, a bit of fun. In April we went to Uvalde, Texas (via San Antonio) to see the Total Solar Eclipse. Our tour guide had reserved the Uvalde County Arena for our viewing. I wonder if I can get a sign like this for our front yard.

    The arena itself offered very nice composition for photography.

    Now, really finally, … can you see the rectangles?

    Raji (ginger cat) and Wendy (Tortieco) on their windowsill perches.
    Raji (ginger cat) and Wendy (Tortieco) on their windowsill perches.

    If you would like to participate in this week’s challenge (and I hope you do), please note that pingbacks do not work with Egídio’s site. You will need to put your link in the comments on his post. Also, please use the “Lens-Artists” hashtag to it easier for others to find your post.

    Last week, Ritva focused on backgrounds and how they affect our composition. That was so much fun and everyone had wonderful examples to share. Next week, Tina will host the next Lens-Artist challenge on Saturday, 12 noon (EDT in the USA). Stay tuned. Please see this page to learn more about the Lens-Artists Challenge and its history.

    Lens-Artists team member Donna of Wind Kisses is taking a break from blogging for personal reasons. She will be very much missed but, hopefully be with us again before too long. We wish Donna and her family only the best, as our thoughts are with all of them.

    Stay safe, happy, and well.

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  • Macro Monday

    June 24th, 2024

    The day is almost over but wait … there’s still time to post a macro!

    Featured: a Long-tailed Skipper (Urbanus proteus) on a Butterfly Bush (Buddleja dividii).

    Funny story: I bought the Butterfly Bush a few years ago and kept it in a pot on our deck for a long while. Although its blooms were profuse, I never saw any butterflies on it. Then we decided to plant it in our garden area (it was getting way too big for a pot). A year goes by. It blooms. Still no butterflies.

    Until yesterday.

    This skipper was so focused on feeding that I was able to take several photos.

    Good things come to those who wait.

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  • Lens-Artists Challenge #304 – Behind

    June 17th, 2024
    Photo taken about 10 years ago when Maxine (on the left) and Junior (on the right) were still indoor-outdoor kitties and what is now our garden was filled with skinny pine trees.

    This week’s Lens-Artist Challenge is hosted by Ritva who encourages us to consider what is behind the subjects of our photography.

    Whether it’s a serene landscape, a bustling city street, or a simple studio backdrop, the background influences the mood and message of the image.

    I drifted back several years as I looked for photos that I thought would best meet this week’s challenge. As Ritva skillfully shows, there are seemingly endless ways in which background can enhance or even be the subject of our lens.

    The next few images were taken in October 2013 during a visit to my childhood home. The light from the setting sun drew my eye to trees that, at any other time, would simply be background, not a focus of my lens.

    In the next photo, the white house (on the right) was my childhood home; the other, a house where I spent an inordinate amount of time watching TV with the grandfatherly man who lived there. Both houses are now gone, demolished because of a flood. You can’t see in this photo, but both houses had “Condemned” and “No Trepassing” signs on them.

    While it looks like the foreground in the above photo is a wide expanse of lawn, it is in fact a field. When I was a teenager, I worked summers at a cafeteria. On Sundays I worked 7 am to 3 pm, and when I started my mother’s car on Sunday morning, dozens of bunnies jumped at the sound and hopped around in a panic. It was a great way to start my day.

    Sometimes to make a subject stand out, you need to add background, like my husband’s hand. I credit Golden Silk spiders with helping me (mostly) get over my spider phobia. While these spiders are quite large, they are also shy and more likely to skittle away from you than toward you.

    I feel like I’m digressing from Ritva’s challenge because I seem to be focused on backgrounds that are the subject of my lens. Case in point: Sunrise over a fishing pier at Safety Harbor, Florida.

    No, wait … here’s one where a background of neutral colors helps to make my pink yoga mat pop (never mind the blue urn at the bottom corner trying to steal the show). This was taken in August 2017, at an Airbnb in Santa Fe, New Mexico.

    Here’s an example of an almost monochromatic photo. From a distance, I might not have spotted the alligator given how well it was blending in with the water and lily pads.

    Finally, this post would not be complete without a photo or two of a dragonfly. My husband has placed several bamboo poles around our house, and the dragonflies love using them as hunting perches.

    Besides attracting dragon- and damselflies, the poles have enabled me to photograph these delightful insects at my leisure. Yes, they fly off frequently to snatch a snack, but they just as quickly come back to the pole.

    In the following photo, I blurred the background so I would capture more detail of the dragonfly.


    Many thanks to Donna of Wind Kisses who challenged us to think about and illustrate our conceptions of “Connections.” The responses to her challenge were wonderful and demonstrated just how connected we are to each other and to nature.

    Please check out Ritva’s post for inspiration for this week’s challenge. If you choose to participate, don’t forget to use the “Lens-Artists” tag so you can be found in the Reader.

    Next week, Egídio will be our host. Check in with him at Through Brazilian Eyes on Saturday at 12 noon (EDT in the USA). Please see this page to learn more about the Lens-Artists Challenge and its history.

    Without further adieu, I give you Raji and his impersonation of a Meerkat.

    Thank you for reading! Stay safe and stay well.

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  • Lens-Artists Challenge #303 – Connections

    June 11th, 2024

    This week Donna from Wind Kisses challenges us to find connections using photographs.

    Let’s photograph connections this week. Are you interested in the intricacy of mosaic art, or how the strings of a marionette bring it to life? How about railroads, rivers and bridges connecting spaces and places? Personally, I can’t have bacon without eggs, or paper without a pen. And it is impossible to ignore interactions of people connecting with each other and the world around them.

    I’ve thought long and hard about this challenge, and I might (I said, might) step outside my comfort zone to meet it. Donna’s post is truly inspiring, expanding the idea of connections beyond what I usually consider the word to mean. And that’s a good thing.

    Of course, I see connections in Nature, such as how my (finally) blooming Indian Blanket plant follows the rotation of the sun.

    Every morning, and sometimes in the afternoon, I rotate the pot wherein this plant currently resides. It sits on my deck, and I see it through my window while I’m sitting at my desk working. The plant keeps me connected to the outside world just by being available to me visually.

    Now, this might sound strange, but I feel connected to myself when I work with fiber, whether it be knitting or weaving. When I was about 9 or 10, I taught myself (not very well) to knit, and so knitting is part of who I am. I’ve used my knitting to connect me to others. Weaving came to me later in life at a private college where I was floundering. I was very unhappy at that college until I signed up for a weaving course. Long story short: the class had such an impact on me that I elected to take my tuition money and buy a loom rather than continue at the college.

    I wove a few things but not very well and eventually sold my loom to a friend. Fast-forward a few decades and I yearned to weave again so I bought a modest 20-inch rigid heddle loom. My first project:

    I wove this scarf with wool and alpaca yarns meant for knitting socks. Needless to say, weaving the scarf went a lot faster than knitting socks would have. Still, I made mistakes, wasted a bunch of yarn, but … I wear it. I love it. And the process itself connected me all the way back–40-some years–to when I first learned to weave.

    I try to connect myself to the environment by upcycling and recycling. From a poster on a Facebook group I was in, I got the idea to cut up all our old t-shirts. Some were so worn that I knew they would only end up in a landfill if I gave them to Goodwill. I used a rotary cutter to slice through the shirts, tied the ends together, and then rolled the strips into balls. A weaving project was born.

    I wove the above with no real end in mind. I just wanted to practice weaving. At worst, whatever I made could be used as a cat blanket. Then I wove another piece, only this time I untied the strips as I went, making the weaving process more meditative, connecting more closely with the threads and fabric.

    This work I do with my hands often connects me to other people. I can’t wear all the scarves, shawls, socks, and potholders that I make. Sometimes I work with a special person in mind.

    I knitted this blanket (above) for my mom. She’s no longer here and the blanket is with someone else now, but I still remember her saying that she loved it.

    Connections.

    I grew up among women. My mom and my two sisters, my aunts. My uncles were around but disinterested in a pouty-faced little kid.

    Out of the seven sisters, only one is left, my Aunt Orvetta, the blonde in the middle. My mother sits to my aunt’s right. I look at photos like this and pine for the days when connections could be made with a letter or a phone call or a visit. Now the connections are made through memory.

    I am so grateful for how photography, over so many years, has helped me stay connected to my family. So many of them have died, but when I see photos like the one above, I can almost hear their laughter.


    Many thanks to Donna for this thoughtful and expansive challenge. If you choose to participate in this week’s challenge, take Donna’s words to heart:

    Have you ever thought about how photography connects the world? Nobody sees the world exactly the same way you see it, and our impressions are as unique we are. How you interpret this week’s challenge is up to you.

    Please include the Lens-Artists tag and/or link in the comments so we can find you.

    Also, thanks to John for last week’s challenge, AI. What fun that was! Participating in John’s challenge helped me feel a bit less intimidated by AI, and I really enjoyed the contributions and conversations around it.

    Ritva will host next week’s challenge starting Saturday 12:00 EST. Visit her site and get ready to be inspired.

    Interested in knowing more about the Lens-Artists challenge? Click here for more information.


    If you’ve read this far, here’s your reward.

    Fat cat sleeping.

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  • Lens-Artists Challenge #302 – Artificial Intelligence and Photography

    June 3rd, 2024

    In this week’s Lens-Artists Challenge, John of Journeys with JohnBo asks us to consider the role of Artificial Intelligence (AI) in photography, if it has any role. Specifically:

    The question for today is to what extent AI makes the work something other than photography and at what point should it be identified as such.

    Initially I thought I’d pass on this challenge. I already have a disdain for AI in how grifters have been using it to flood markets such as Amazon with AI-generated “garbage ebooks.” (See the Constance Grady’s article on this subject here.)

    But after reading a few responses to John’s challenges, I saw that AI could be fun, simply fun, to use. And if people are honest about their use of AI, particularly in photography and writing, then at least we can see how it might function as a tool.

    John’s challenge also stimulated discussion about what kind of post-editing photographers might use. I have not read every response to the challenge, but it seems that most of the photographers are like me: for example, I might crop a photo for a better close-up of my subject, or I might brighten the colors if the image seems murky. What I want to do in post-editing is try to help the viewer see what I saw with my naked eye, as close to Nature as possible. I don’t discuss post-editing, but if I was to do more, like, for example, take two photos and superimpose them, then of course, I would acknowledge that.

    A photo of Raji superimposed on a photo taken at the St. Marks National Wildlife Refuge.

    Did you know that WordPress has an AI Assistant? If you use Block Editor (which generally I don’t), about halfway down the right-hand sidebar under “Post,” you’ll see AI Assistant and an option to create an AI Featured Image. (Many thanks to Donna of Wind Kisses for alerting me to this feature.) I created the below image using the words “orange cat on beach” and saved it to my photos for upload.

    AI-generated image of orange cat on beach.

    Looking at some AI-generated images shared by the Lens-Artists team, I started to think about book cover designs. When I needed a cover for my short story “Love Me Tender,” I went to Canva which I had used to create cards. The hardest part about self-publishing my story was finding a book cover I liked. Many of the images offered by Canva are free and require no attribution, but Canva requires a subscription if you want to edit an image.

    So what about AI? Thinking about my novel Clemency, I decided to see what AI could provide me. The central character in Clemency is a young woman who has been convicted of killing her live-in boyfriend. The setting for much of the novel is a small coastal town that has seen better days. The opening scenes include the young woman appearing bloodied and carrying a knife.

    With that info, what kind of cover could AI generate? I provided the text: “young woman in shorts and a bloody t-shirt standing on a beach at night.” (Note: all the following images are AI-generated unless otherwise noted.)

    Ah … no. This woman doesn’t look like she’s in any kind of danger or distress. Maybe I need fewer words. How about “young woman, bloody t-shirt standing on a beach at night.”

    Oh, come on! Either the shirt is drenched in blood or AI thinks I mean blood-red. Determined to make AI work for me, I continued with various prompts until I got to these two.

    I’d be tempted to go with the first one because that’s obviously blood on the woman’s shirt, but I don’t want her facing the camera. In my mind, that is not what the main character looks like. Besides, there’s something incongruous about an bloody shirt on an otherwise unharmed woman. While the second image doesn’t show the kind of bloody shirt I want, I can see blood on the woman’s arm. She also looks vulnerable.

    For novels, I usually prefer book cover designs that are drawings or paintings, not photographs. Let’s see if AI can help me with that. So I asked for an “illustration of a young woman on a beach at night.” Just keeping it simple.

    Eye roll. I’m about ready to give up. Never mind the two or three moons, but the woman has three arms. I could lose readers with this one.

    One last try: “illustration of the back of a young woman wearing a bloody shirt holding a steak knife on a beach at night.”

    I give up.

    I have other alternatives, one of which would be to take photographs of a beach near me and then run the best photograph through filters until I get the image I want. If I’m lucky, maybe there’ll be a young woman at the beach wearing a bloody shirt and holding a steak knife.


    Many thanks to John for this fascinating challenge. I encourage you all to give the WordPress AI Assistant a try if you haven’t already. Just be honest and have fun.

    If you decide to play, please be sure to link back to John’s original post and include Lens-Artists in your tags so you can be found. If you’d like to participate in the challenge responses each week but aren’t sure how to get started, please check here. A big thank-you to Sofia for the lovely challenge to go Floral last week. Y’all know I love any opportunity to show off my flowers.


    I leave you with a real photo, no AI used.

    A boy and his brush.

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  • Lens-Artists Challenge #301 – Floral

    May 28th, 2024

    This week, Sofia at Photographias invites us to “go Floral”:  Let’s see Nature in all its glory and enjoy this beautiful time of the year. Let’s find different angles, play with post editing, get closer or further afield, find strange and unknown flowers and if you want to get some flower friends on the shot, that is allowed too. But mainly, have fun and look for the awesomeness that is all around us.

    I am all about having fun when it comes to flowers and photography. For this challenge, I’m focusing on the flowers in my gardens.

    First up, roses. Small, pink roses that were gifted to me in 1997 by a friend who was moving to Australia. I’ve come to call them “Kay’s roses” since no one can figure out exactly what they are, and because I always think of my friend Kay when I see the roses blooming.

    The next two photos are of Blue Mistflower (Conoclinium coelestinum) taken roughly three weeks apart. I thought this plant had died from the freezes we had over the winter. But, thankfully, it’s a hardy plant.

    The next three photos are of Bolivian Salvia (Salvia oxyphora). A couple of years ago, I had stopped to admire and photograph a large bush of these flowers at a neighbor’s house. The neighbor came out and offered me a “stalk” (it was at least two feet tall) that I then had to carry three blocks home because I was on foot. I planted the stalk in a pot and the blooms soon fell off. My instincts told me it would be happier in the ground than in a pot, so the following spring, I planted it in my little garden around our mailbox. It did not bloom at all last year, although it start to self-propagate. This year, to my delight, it’s blooming in earnest.

    This next fun little flower is known to some as Batchelor Button or Globe Amaranth (Gomphrena globosa). Another plant that I thought I had lost to winter freezes, but, obviously, it’s doing quite well right now. It seems to enjoy the light on our patio. Dragonflies seem to enjoy using this flower as a perch.

    Who would not recognize a Gerbera Daisy aka Barberton Daisy (Gerbera jamesonii)? It’s another flowering plant that is flourishing on our patio.

    I love the pink and orange of this Purple Coneflower (Echinacea purpurea). I bought this plant a few years ago and while in a pot, it rarely produced more than one bloom. Planted in our garden, it’s now sporting a couple of blooms and a few buds.

    Last but not least, this morning (this very morning of May 28, 2024), our Scarlet Rosemallow (Hibiscus coccineus) greeted me with two blooms. These flowers open and close often within a day or two so I wasted no time in capturing the moment. As you can see, though, we expect a few more blooms soon.

    I do love challenges like this as I’m often taking photos of flowering plants (even at garden centers).


    Last week, Ann-Christine challenged us to think in terms of Delicate, setting the challenge with her wonderful photos from Japan. It was great fun to see all the different interpretations of that deceptively simple word.

    If you’re interested in participating in this week’s Lens-Artist, please remember to link back to Sofia’s original post and to include Lens-Artists as a tag so others can find you. If you want to learn more about the Lens-Artists challenges, please see Johnbo’s post.


    Thank you for reading! Here’s a photo of Raji in action, playing with a shoelace.

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