YA author Briana Vedsted interviewed by Kristen Hope Mazzola! Read and learn :)

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YA author Briana Vedsted interviewed by Kristen Hope Mazzola! Read and learn :)

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Previously . . .
The Druid picked up the bouquet of roses and held them out to her. “Has your lover ever given you flowers as beautiful as these? Has his lips burned a kiss onto your hand, as I have. Oh, yes, dear lady, I felt you shiver with that kiss.”
Mary took another gulp of wine. She was going to have to have a long talk with 1WriteWay, her author. She studied her glass, wondering why it was empty so quickly and, more importantly, how to extricate herself from this large, overbearing, egotistical hunk of a man . . .
“Come, my lady – don’t tell me you haven’t wondered what it’s like to live outside the lines your writer has given you.”
He gestured to the gentleman behind the bar for another round. Mary twisted herself around to shake her head at the man but he was already gone. Damn. She turned back to D. He was still talking. Well, he certainly enjoyed the sound of his own voice, didn’t he? Too bad she did, too.
“She doesn’t give me – I mean, she’s very good at interpreting my story–”
“Don’t you want to feel for yourself? Feel alive in ways no one else can possibly imagine?”
Mary had a hot denial at the ready but paused. She lifted the new glass of Chardonnay and eyed D over the rim. He had a point.
But he was far too pleased with himself to give in.
She touched her lips to the glass – just a small taste this time. Her cheeks were already flushed with the heat of the alcohol and it would not do to let that heat encourage those ridiculously blue eyes any further than she already had.
“I suppose you can help me do that, then?”
A slow, wicked smile spread over the man’s face and his eyes drifted to her lips. A cool tingle of wine still lingered there and Mary resisted the urge to lick them.
This was not fair. What was it about Druids that made them special? Was it magic? 1WriteWay should have warned her to brush up on her history before allowing this date to happen. And that A – she had a lot to answer for, letting this man loose.
“Not magic, my lady – just several centuries of watching man’s progress and interaction with one another.”
“Oh.” Mary frowned. Had she said that out loud? She didn’t remember speaking. No more Chardonnay. “You know, you’re making this very difficult for me.”
“And what could I do to make it better for you? I do only wish to please.”
“Why is it when you say that, it sounds so . . . so . . . naughty?”
“Only if you wish it so, my lady.”
“Why, I – Oh for heaven’s sake, put on a shirt.”
The Druid burst out laughing and Mary covered her cheeks with her hands. Her face was burning.
“Alas, all I have is a rag from my days as a pirate – I did not wish to embarrass you with my poor wardrobe.”
“Pirate?” Mary fanned her cheeks. Visions of swashbuckling heroes flickered through her mind.
No. No swashbuckling. No pillaging of her honor. No. No. No. Overbearing, that’s what he was. Overbearing, egotistical and . . . and . . . deeply affecting . . . No!
Mary gave herself a mental shake. Chauvinistic. Yes, that was it.
Perhaps his naked torso was better. “Maybe, um, you could just button up your coat,” she muttered.
“As my lady desires.”
“And stop with that – my lady this, my desires that. My name is Mary, and I would prefer you use it.”
D bowed his head. She couldn’t be sure, but she thought he was laughing silently. His eyes were far too merry for him not to be. Honestly, this was just too much.
“And what’s this about not wishing to embarrass me? Quite frankly D, I think you’re enjoying my discomfort far too much. My God, if Randy ever said—What? Why are you laughing?”
“Your lover’s name is Randy?”
“Yes?”
D was giggling into his stout. Giggling.
Druids shouldn’t giggle, Mary thought as she sipped her Chardonnay.
“I’m sorry, my lady – much of my life was spent in the British Isles,” he said. He was gulping at the air, trying to catch his breath.
“What does that have to do with it?”
“Oh well, it’s just that – excuse me – the word ‘randy’—“
God, he was snorting now. Mary rolled her eyes.
“The word ‘randy’ is slang for – for–” The Druid took a deep breath and managed to compose himself. He arched an eyebrow at her but the effect was lost in his ruddy face and the tears that were still coursing down his cheeks. “For the sexually excited – well, for you, my lady.”
His smile turned into a leer and he reached for her hand again.
“Why, you conceited pig! You are the worst kind of – of man!”
Mary yanked her hand from his heated paw and bolted from her seat with enough force to rock the chair on two legs. D stared up at her and she thought she caught a glimmer of surprise in his face before the mask of suave confidence smoothed his features.
“I am the only kind of man—“
Before he could even finish the sentence, Mary smashed the bouquet of roses in his face and stomped to the door. Of all the—1WriteWay owed her for this, that was for damn certain.
But even as she reached the door, the Druid’s words echoed in her head. “Don’t tell me you haven’t wondered what it’s like to live outside the lines.” She paused, her hand wrapped around the handle. She did wonder.
Against her better judgment, Mary spared the Druid a glance over her shoulder.
Oh, for the love of—not only had the waitress rushed to his aid, but D was also smiling graciously at the barman as he stooped to clear the scattered rose petals. As she watched, D turned those deep bedroom eyes on the girl until she twirled her hair.
Honestly. Man or woman, it didn’t matter to that randy—Mary caught herself and grinned. It was funny – somewhat. Perhaps she should go home and teach Randy what his name really meant.
***
And this concludes A Date With a Druid. The D/A Dialogues and 1WriteWay hope you enjoyed this as much as we did!
The Druid interviews Briana Vedsted, prolific author of young adult fiction.
A: D. D, put down the hat.
D: What are you talking about? Briana’s coming!
A: Yes, but she does write other things besides westerns featuring Billy the Kid. Besides, the hat just looks–
D: Don’t you say it, A. Billy liked it, and that makes it just fine.
A: Whatever. Just make sure you don’t smack Briana in the face with the fringe on your shirt.
D: (eye roll). As if it were long enough to do that, sheesh. With that, ladies and gents, it is my great pleasure to welcome to the D/A Dialogues, Ms. Briana Vedsted.
D: You are a prolific writer, Ms. Vedsted – tell us a little bit about your upcoming novel, Me and Billy the Kid.
B: Me and Billy theKid is fictitious tale about the infamous western outlaw Billy the Kid and some other characters from the time, including Jesse…
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Here is the Fifteenth installment of Ten Top Lists of What Not to Do by Marie Ann Bailey of 1WriteWay at http://1writeway.com and John W. Howell of Fiction Favorites at http://johnwhowell.com. These lists are simu-published on our blogs each Monday. We hope you enjoy.
10. When trying to get published, do not send a query letter to a publisher with the opening phrase “You probably have never heard of me, but that will change.” The publisher will no doubt get a big laugh and your query will get a direct pitch into the trashcan with the words, “Want to bet,” on the publisher’s lips.
9. When trying to get published, do not use cute gimmicks in your query letter to get the publisher’s attention. They will not appreciate whatever it is that you send along with the letter and could just charge you for the clean-up later. This includes: glitter hearts, artificial snow, two tickets to the Bruins hockey game, a six pack of beer, sand from your beach story, or anything else not on paper.
8. When trying to get published, do not think a personal phone call to the publisher will make a difference. You will only risk sounding like an idiot even though you have thoroughly rehearsed your pitch. If you should by chance get someone to talk, being able to find your query letter to give you the feedback you demand may get you put on hold permanently.
7. When trying to get published, do not, under any circumstances, show up at the publisher’s place of business in person. The publisher will be extremely embarrassed since they will have no idea what to do with you. Your query just might get placed in your back pocket as you are shown the exit into the alley.
6. When trying to get published, do not tell the publisher in your query letter that this is a once in a lifetime opportunity for them. The only thing that may be a once in a lifetime opportunity is the one second it takes for the publisher to pitch your query into the wastebasket with the words, “I’ll take that chance,” on the publisher’s lips.
5. When trying to get published, do not try to build rapport with the publisher with words like, “If I were in your shoes I would be looking for a talented writer and by golly I just happen to know one.” The publisher will have a nice laugh at your expense and will probably use your query in the next seminar on How Not to Query. Of course he will be paid an enormous fee and you will get…well…nothing.
4. When trying to get published, do not send a query letter before you have your fiction manuscript finished. Unless you are Stephen King, there is not a publisher in business today who will jump at the chance to publish your story if it is in the concept stage. Describing in detail what might be will probably get you a response of what actually is happening, a flat “no.”
3. When trying to get published, do not assume you have only writing in mind. The publisher will want you to carry most of the marketing work on your shoulders. Your query letter should stay away from self-descriptive words and phrases like: artist, literary principles, clean hands, introvert, higher calling, too good for others, filthy capitalism, save trees activist, reclusive researcher, and only want to write.
2. When trying to get published, do not admit you are only in this for the money even if you are. There may be a time when the publisher contacts you as a result of your query. This is not the time to start pressing the publisher for a compact timetable because you need the money. Like banks do not lend money to people who need it, publishers know there is little money for authors and will pass on you for another more motivated by non-monetary reasons.
1. When trying to get published, do not give up. There are a million potential reasons to keep sending queries and who knows, your manuscript just might be the next million copy seller.
The Community Storyboard is looking for contributors for this week’s writing prompt. Click and submit!
I haven’t read much poetry in my life, outside the required English literature classes of my university days. And yet I was grieved to hear that Seamus Heaney had died. Many years ago I had gotten an audio of Heaney reading Beowulf. I had read Beowulf even more years before and fell in love with the story and the music of the language. But nothing had prepared me for Heaney’s rendition. Both of these clips are about an hour long. If you prefer simple audio, click here to go to Audible.com.
And why now? Why not this post in immediate virtual time after the announcement of Heaney’s death? Well, I had to think about it. In writing about Heaney, I am not trying to draw people to me. I don’t need to be the first or the second or even the thousandth to tweet his death.
This post was prompted by an essay in The New York Review of Books, a periodical that we have been subscribing to for years, that I used to read cover to cover upon arrival, that I used to use for research while I was a Lit major. I’ve missed the last few months, the awkwardly large newsprint strewn in piles across my house. And then recently I pulled out one issue at random, Oct. 10, 2013. On page 10 is a one-page essay by Fintan O’Toole, titled Seamus Heaney (1939-2013). This essay is my first introduction to Heaney’s poetry. O’Toole says, “Poetry is language held taut by being stretched between the poles of completing desires.” That alone is reason to read any poetry, but especially that of Seamus Heaney.
A truly inspirational post about NaNoWriMo and writing in general. I’m going for NaNo again. My first one was in 2007 and I won. I signed up for 2008 and got broadsided by a day job that just demanded too much. In 2012, I completed the November challenge and then the NaNoWriMo camps in April and July of this year, each time signing up for 50K even though I didn’t have to do 50K. And here I go again. My husband asks, “Why?” and I say, “Because NaNo is the only time when I really focus on my writing.” It does that for me. Gives me permission to push everything else aside and write.
Yesterday Jami posted about NaNoWriMo (National Novel Writing Month), and I really hope you guys take her class because she is truly a gifted teacher. Today, I want to talk a little bit about what writers (especially new writers) can gain from NaNo.
NaNo Teaches Endurance
I remember years ago thinking, “Wow, if I could just write a thousand words a day, that would be AMAZING.” When I looked at professional authors, it was like watching a marathon runner—all the while knowing I couldn’t run a flight of stairs without requiring oxygen and possibly a defibrillator to restart my heart. I so struggled to get words on a page, and Lord help me if I saw something shiny.
Of course, after years of practiced discipline, I generally have a thousand words written by breakfast. When I fast-draft (which I do for all my books), my average is abnormally…
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Interesting idea for making it easier for readers to find content in your blog.
S.K. Nicholl’s great review of Mark Paxson’s novel Weed Therapy!
My husband and I both read this book and talked about it for days. We have already recommended it to a friend who is in a bad relationship. With a “Part Two” added to this book, it has the potential to be a masterpiece in the self-help genre on relationships and I will tell you why:
I loved the craftsmanship in the way this book was written and the author’s writing style. The word pictures created were superb. The beauty of the well written story was magical. The novel really moved me in a deep and spiritual way. Mark Paxon’s insights and intuitions were well woven into this account of a man’s quest for understanding his own unhappiness. It reminded me that men, whom we often regard as the stronger, less emotional sex, really do have feelings, hopes, and desires.
The characters, both primary and ancillary are truly tangible. Kelvin…
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After much discussion, A of The D/A Dialogues and 1WriteWay (yours truly) decided to let their characters, D and Mary, meet for a date. For those readers new to this blog or The D/A Dialogues, Mary is a contemporary woman in a series about three widowed cousins who start a private investigation firm. D is a 1300-year-old Druid.
This is Part 1 of A Date with the Druid.
***
Mary stood in front of the dark wooden door. The glass inset was opaque and tinted green so she couldn’t see through to the interior of the pub. She took a deep breath, pulled her mirror out of her Louis Vuitton knock-off wallet purse, and took one last look at herself. The streetlamp behind her set a halo about her short salt-and-pepper hair. Her face was in shadow. She sighed.
“Well, I promised her one date,” she muttered to herself as she clasped the door handle. “One date … with a Druid.” Mary pulled at the door, releasing heat scented with body odor and beer. She wrinkled her nose and walked in.
The pub was lively, with nearly every round table filled with people eating, drinking and talking, seemingly all at once. The bar before her was lined with every manner of backs and butts. Most of those at the bar were focused on the soccer game playing out on a telly stuck high up in a corner. The hazy yellow light of the dirty overhead lamps cast everyone and everything in a dull glow. It seemed that no one had noticed her walking in, and yet she felt eyes on her.
Off to her left, there was a sense of someone watching. She turned and there, in a corner, sitting alone but for a bouquet of red and white roses and a pint of dark ale, was he. The Druid. The … man … that Mary had agreed to meet. He stood up as Mary approached the table. Oh my, she thought, he’s taller than I imagined.
His hair was long and dark and, to her relief, he wore clothes, a long dark coat and pants. Mary had only seen the drawing of the Druid on The D/A Dialogues and had been anxious that he would show up dressed, or undressed rather, pretty much as he was in the drawing.
The Druid looked down at Mary and smiled, his dark eyes peering into her blue. Mary felt her knees ready to buckle.
“Hi! You must be D!” Mary knew her voice was a bit too loud as she thrust her hand out in front of her.
The Druid’s smile deepened. He took her hand but instead of shaking it, as he knew Mary expected him to, he gently turned it and kissed the top. Her skin was cool, no doubt from the chilly night air outside the pub, but his lips were warm. Mary shivered slightly with the kiss and firmly but slowly withdrew her hand.
D pulled a chair out for her and, with a slight nervous laugh, Mary sat down. God, I’m acting like a schoolgirl, she thought as the Druid took a seat to her right.
“What would you have to drink, my lady?” He still had that all-knowing smile, as if he could read her thoughts. Mary started to feel annoyed. She was in love with Randy. No Druid, no matter how tall, dark and well-muscled, could interfere with that. Not to mention that he was much too old for her, several centuries too old.
“A glass of Chardonnay, thank you.” She smiled back at him, revealing her perfect white teeth. The Druid snapped his fingers, ordered another pint for himself, the Chardonnay for Mary when the server came. Then he leaned in.
“I’ve heard so much about you. You are more beautiful than my imagination allowed. You remind me of a wench … I mean, a woman I knew, oh, a couple of centuries ago. She was feisty, very independent. But she could not resist me.” He gave her a large smile, revealing his perfect white teeth. Mary bristled.
“Really, I … is that a compliment, somehow?”
“Oh, indeed, my good lady. Ah, here are our drinks.” He paused to attend to the bill, and Mary was relieved that he wasn’t running a tab. She didn’t want to have to deal with a drunk Druid.
“So how is it a compliment? I mean, really, we’ve only just met and yet you imply that I will not be able to resist you.”
The Druid leaned back in his chair, his dark woolen coat falling open, revealing his broad, toned, naked chest. Mary grabbed her Chardonnay and took a big gulp. I love Randy, I love Randy, she started chanting in her head.
“The only woman I know that has so far resisted me is A, and I believe that’s simply because I live in her head. One cannot have an affair with a figment of one’s imagination. However …” The Druid leaned forward and grabbed Mary’s hand. “However, since we are both figments of imagination …”
Mary pulled her hand away so abruptly that she almost knocked her wine over.
“Nevertheless,” she said as she tried to steady her breathing. “I am in love with someone. I am not about to cheat on him.”
The Druid picked up the bouquet of roses and held them out to her. “Has your lover ever given you flowers as beautiful as these? Has his lips burned a kiss onto your hand, as I have? Oh, yes, dear lady, I felt you shiver with that kiss.”
Mary took another gulp of wine. She was going to have to have a long talk with 1WriteWay, her author. She studied her glass, wondering why it was empty so quickly and, more importantly, how to extricate herself from this large, overbearing, egotistical hunk of a man.
To be continued …
***
Will Mary yield to the … charms (?) of the Druid? Will the Druid find himself with wilted roses and a glass of Chardonnay thrown in his face? Will either character ever speak to their authors again? Let us know what you think, dear Reader. Where should this story go?